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I have already strained my readers' attention sufficiently by these abstract statements of matters technical and minute. Let us stop thinking for a while and observe. I will draw a picture of goodness and teach the eye what sort of thing it is. We have only to follow in our drawing the conditions already laid down. We agreed that when an object was good it was good for something; so that if A is good, it must be good for B. This instrumental relation, of means to end, may well be indicated by an arrow pointing out the direction in which the influence moves.
But if B is also to be good, it too must be connected by an arrow with another object, C, and this in the same way with D. The process might evidently be continued forever, but will be sufficiently shown in the three stages of Figure 1. Here the arrow always expresses the extrinsic goodness of the letter which lies behind it, in reference to the letter which lies before.
[Fig. 1]
But drawing our diagram in this fashion and finding a little gap between D and A, the completing mind of man longs to fill up that gap. We have no warrant for doing anything of the sort; but let us try the experiment and see what effect will follow. Under the new arrangement we find that not only is D good for A, but that A, being good for B and for C, is also good for D. To express these facts in full it would be necessary to put a point on each end of the arrow connecting A and D.
[Fig. 2]
But the same would be true of the relation between A and B; that is, B, being good for C and for D, is also good for A. Or, as similar reasoning would hold throughout the figure, all the arrows appearing there should be supplied with heads at both ends. And there is one further correction. A is good for B and for C; that is, A is good for C. The same relation should also be indicated between B and D. So that to render our diagram complete it would be necessary to supply it with two diagonal arrows having double heads. It would then assume the following form.
[Fig. 3]
Here is a picture of intrinsic goodness. In this figure we have a whole represented in which every part is good for every other part. But this is merely a pictorial statement of the definition which Kant once gave of an organism. By an organism he says, we mean that assemblage of active and differing parts in which each part is both means and end. Extrinsic goodness, the relation of means to end, we have expressed in our diagram by the pointed arrow. But as soon as we filled in the gap between D and A each arrow was obliged to point in two directions. We had an organic whole instead of a lot of external adjustments. In such a whole each part has its own function to perform, is active; and all must differ from one another, or there would be mere repetition and aggregation instead of organic supplementation of end by means. An organism has been more briefly defined, and the curious mutuality of its support expressed, by saying that it is a unit made up of cooperant parts. And each of these definitions expresses the notion of intrinsic goodness which we have already reached. Intrinsic goodness is the expression of the fullness of function in the construction of an organism.
I have elsewhere (The Field of Ethics) explained the epoch-making character in any life of this conception of an organism. Until one has come in sight of it, he is a child. When once he begins to view things organically, he is-at least in outline-a scientific, an artistic, a moral man. Experience then becomes coherent and rational, and the disjointed modes of immaturity, ugliness, and sin no longer attract. At no period of the world's history has this truly formative conception exercised a wider influence than today. It is accordingly worth while to depict it with distinctness, and to show how fully it is wrought into the very nature of goodness.
REFERENCES ON THE DOUBLE ASPECT OF GOODNESS
Alexander's Moral Order and Progress, bk. ii. ch. ii.
Bradley's Appearance and Reality, ch. xxv.
Sidgwick's Methods, bk. i. ch. ix.
Spencer's Principles of Ethics, pt. i. ch. iii.
Muirhead's Elements of Ethics, bk. iv. ch. ii.
Ladd's Philosophy of Conduct, ch. iii.
Kant's Practical Reason, bk. i. ch. ii.
The Meaning of Good, by G.L. Dickinson.
COALESCENCE OF THE FIVE SERIES BOOK ONE: THE 5-TIME REJECTED GAMMA & THE LYCAN KING BOOK TWO: THE ROGUES WHO WENT ROGUE BOOK THREE: THE INDOMITABLE HUNTRESS & THE HARDENED DUKE *** BOOK ONE: After being rejected by 5 mates, Gamma Lucianne pleaded with the Moon Goddess to spare her from any further mate-bonds. To her dismay, she is being bonded for the sixth time. What’s worse is that her sixth-chance mate is the most powerful creature ruling over all werewolves and Lycans - the Lycan King himself. She is certain, dead certain, that a rejection would come sooner or later, though she hopes for it to be sooner. King Alexandar was ecstatic to meet his bonded mate, and couldn’t thank their Goddess enough for gifting him someone so perfect. However, he soon realizes that this gift is reluctant to accept him, and more than willing to sever their bond. He tries to connect with her but she seems so far away. He is desperate to get intimate with her but she seems reluctant to open up to him. He tries to tell her that he is willing to commit to her for the rest of his life but she doesn’t seem to believe him. He is pleading for a chance: a chance to get to know her; a chance to show her that he’s different; and a chance to love her. But when not-so-subtle crushes, jealous suitors, self-entitled Queen-wannabes, an old flame, a silent protector and a past wedding engagement threaten to jeopardize their relationship, will Lucianne and Xandar still choose to be together? Is their love strong enough to overcome everything and everyone? Or will Lucianne resort to enduring a sixth rejection from the one person she thought she could entrust her heart with?
Betrayed by her mate and sister on the eve of her wedding, Makenna was handed to the ruthless Lycan Princes as a lover, her indifferent father ignoring her plight. Determined to escape and seek revenge, she captured the interest of the three Lycan princes, who desired her exclusively amid many admirers. This complicated her plans, trapping her and making her a rival to the future Lycan queen. Entwined in jealousy and vindictiveness, could Makenna achieve her vengeance in the intricate dance with the three princes?
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
Rumors claimed that Fernanda, newly back with her family, was nothing more than a violent country bumpkin. Fernanda just flashed a casual, dismissive grin in response. Another rumor suggested that the usually rational Cristian had lost all sense, madly in love with Fernanda. This frustrated her. She could tolerate gossip about herself, but slander against her beloved crossed the line! Gradually, as Fernanda's multiple identities as a celebrated designer, a savvy gamer, an acclaimed painter, and a successful business magnate came to light, everyone realized they were the ones who had been fooled.
"I've warned you from the beginning. Don't marry him, but you won't listen." Darcy stood close to me and smiled with concern. "You're not a woman worthy of a man as handsome, rich, smart, and virile as Blaze." My whole body trembled at her words. "Have you no shame?" I asked. "Take a good look at yourself, Heather." She stared at me in the mirror. "You can't even glance at your ugly face. Do you think Blaze can endure a lifetime of gazing at that scar?" Heather Bailey got a surprise from her husband: a divorce agreement. After a year of marriage and facing ups and downs, she couldn't believe Blaze intended to divorce her. She was devastated when she saw him gazing lovingly at another woman. After signing the divorce papers, shockwaves caught her up. Her flower shop was burned to the ground. Her father's company collapsed, and her parents blamed her. She struggled to rebuild her life from the ground up and became more successful than ever. Having many customers from influential families, she started her revenge on Blaze. She won the very thing he wanted, but that was just the beginning.
For two years, Ashton had poured his heart into his marriage, yet Emalee's heart remained cold. Despite his dedication, Emalee presented him with divorce papers. She bluntly stated she could not remain married to a man whose net worth was less than a million dollars. Ashton signed the papers, closing one chapter of his life and stepping into a new beginning. Then, Ashton revealed his secret identities: a music mogul, a medical expert, and a martial arts master—each persona impressive enough to stun the world. As Ashton’s true capabilities came to light, Emalee was overwhelmed with deep regret.