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Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg ver??ffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Gro??teil vergriffen oder nur noch antiquarisch erh??ltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte B\u00fccher zu verlegen \u2013 und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und F??rderung der Kultur. Sie tr??gt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten.
In the long and intricately inwrought chain of circumstance which renders worthy of record some experiences of Cytherea Graye, Edward Springrove, and others, the first event directly influencing the issue was a Christmas visit.
In the above-mentioned year, 1835, Ambrose Graye, a young architect who had just begun the practice of his profession in the midland town of Hocbridge, to the north of Christminster, went to London to spend the Christmas holidays with a friend who lived in Bloomsbury. They had gone up to Cambridge in the same year, and, after graduating together, Huntway, the friend, had taken orders.
Graye was handsome, frank, and gentle. He had a quality of thought which, exercised on homeliness, was humour; on nature, picturesqueness; on abstractions, poetry. Being, as a rule, broadcast, it was all three.
Of the wickedness of the world he was too forgetful. To discover evil in a new friend is to most people only an additional experience: to him it was ever a surprise.
While in London he became acquainted with a retired officer in the Navy named Bradleigh, who, with his wife and their daughter, lived in a street not far from Russell Square. Though they were in no more than comfortable circumstances, the captain's wife came of an ancient family whose genealogical tree was interlaced with some of the most illustrious and well-known in the kingdom.
The young lady, their daughter, seemed to Graye by far the most beautiful and queenly being he had ever beheld. She was about nineteen or twenty, and her name was Cytherea. In truth she was not so very unlike country girls of that type of beauty, except in one respect. She was perfect in her manner and bearing, and they were not. A mere distinguishing peculiarity, by catching the eye, is often read as the pervading characteristic, and she appeared to him no less than perfection throughout-transcending her rural rivals in very nature. Graye did a thing the blissfulness of which was only eclipsed by its hazardousness. He loved her at first sight.
His introductions had led him into contact with Cytherea and her parents two or three times on the first week of his arrival in London, and accident and a lover's contrivance brought them together as frequently the week following. The parents liked young Graye, and having few friends (for their equals in blood were their superiors in position), he was received on very generous terms. His passion for Cytherea grew not only strong, but ineffably exalted: she, without positively encouraging him, tacitly assented to his schemes for being near her. Her father and mother seemed to have lost all confidence in nobility of birth, without money to give effect to its presence, and looked upon the budding consequence of the young people's reciprocal glances with placidity, if not actual favour.
Graye's whole impassioned dream terminated in a sad and unaccountable episode. After passing through three weeks of sweet experience, he had arrived at the last stage-a kind of moral Gaza-before plunging into an emotional desert. The second week in January had come round, and it was necessary for the young architect to leave town.
Throughout his acquaintanceship with the lady of his heart there had been this marked peculiarity in her love: she had delighted in his presence as a sweetheart should do, yet from first to last she had repressed all recognition of the true nature of the thread which drew them together, blinding herself to its meaning and only natural tendency, and appearing to dread his announcement of them. The present seemed enough for her without cumulative hope: usually, even if love is in itself an end, it must be regarded as a beginning to be enjoyed.
In spite of evasions as an obstacle, and in consequence of them as a spur, he would put the matter off no longer. It was evening. He took her into a little conservatory on the landing, and there among the evergreens, by the light of a few tiny lamps, infinitely enhancing the freshness and beauty of the leaves, he made the declaration of a love as fresh and beautiful as they.
'My love-my darling, be my wife!'
She seemed like one just awakened. 'Ah-we must part now!' she faltered, in a voice of anguish. 'I will write to you.' She loosened her hand and rushed away.
In a wild fever Graye went home and watched for the next morning. Who shall express his misery and wonder when a note containing these words was put into his hand?
'Good-bye; good-bye for ever. As recognized lovers something divides us eternally. Forgive me-I should have told you before; but your love was sweet! Never mention me.'
That very day, and as it seemed, to put an end to a painful condition of things, daughter and parents left London to pay off a promised visit to a relative in a western county. No message or letter of entreaty could wring from her any explanation. She begged him not to follow her, and the most bewildering point was that her father and mother appeared, from the tone of a letter Graye received from them, as vexed and sad as he at this sudden renunciation. One thing was plain: without admitting her reason as valid, they knew what that reason was, and did not intend to reveal it.
A week from that day Ambrose Graye left his friend Huntway's house and saw no more of the Love he mourned. From time to time his friend answered any inquiry Graye made by letter respecting her. But very poor food to a lover is intelligence of a mistress filtered through a friend. Huntway could tell nothing definitely. He said he believed there had been some prior flirtation between Cytherea and her cousin, an officer of the line, two or three years before Graye met her, which had suddenly been terminated by the cousin's departure for India, and the young lady's travelling on the Continent with her parents the whole of the ensuing summer, on account of delicate health. Eventually Huntway said that circumstances had rendered Graye's attachment more hopeless still. Cytherea's mother had unexpectedly inherited a large fortune and estates in the west of England by the rapid fall of some intervening lives. This had caused their removal from the small house in Bloomsbury, and, as it appeared, a renunciation of their old friends in that quarter.
Young Graye concluded that his Cytherea had forgotten him and his love. But he could not forget her.
That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; ...
Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary "Well-Beloved" - in stone, just as he tries to find her in the flesh.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Using the restoration of a castle as a framework, classic novelist Thomas Hardy (1840-1928) considers the ancient analogy between architecture and philosophy. "Laodicean" is a term for early Christians lukewarm in their beliefs. Hardy's character, passionate architect George Somerset finds himself captivated by "Laodicean" Paula Power, whose views on conventions of any kind are lukewarm at best.
A dozen minor novels that have been published in the periodical press collected together.
Caught in a web of betrayal, Nicole's life shatters in a single evening when her mother-in-law, Veronica, sets her up in an elaborate scheme. Blindsided, Nicole faces her husband Taylor's cold rage as he casts her out of his life and home, accusing her of infidelity and theft. As she tries to defend herself, her best friend, Sarah, adds another blow by denying their loyalty. "Please, Taylor, you have to believe me!" Nicole pleads, her voice breaking, but his icy response is a dagger to her heart. "I don't hate you, Nicole," he sneers. "I despise you." When Nicole reveals she's pregnant, she hopes for compassion, but it only fuels Veronica's determination to rid the family of her. After signing the divorce papers, a dejected Nicole wanders alone, where a brutal attack leaves her bleeding, helpless, and desperate to protect her unborn child. Six years later, Nicole returns from the ashes to inflict seven times the pains upon those who humiliated her and left her to die. "I'll make them pay so dearly that they'd regret ever been born!" She declares. This is a story of romance and revenge you don't want to miss!
"Mr. Evans, please maintain some dignity. Don't forget I'm your brother's wife!" Having caught her husband and best friend together in the bed, Elena wanted nothing more than to exact revenge on the people she once called family. She refused to be a pitiful divorcee and vowed to make everyone who had once looked down on her beg for forgiveness. And to start with her newfound freedom, Elena indulges in a one-night stand with a stranger. However, what was meant to be a fleeting escape turns into a nightmare when she learns that the stranger is none other than her husband's older brother! Would Elena be free from the shackles of her marriage? Or would the mysterious stranger make her life a living hell since he seemed to have a personal vendetta against his family? [The story is 18+ and involves mature content.]
"Sign the divorce papers and get out!" Leanna got married to pay a debt, but she was betrayed by her husband and shunned by her in-laws. Seeing that her efforts were in vain, she agreed to divorce and claimed her half of the properties. With her purse plump from the settlement, Leanna enjoyed her newfound freedom. The constant harassment from her ex's mistress never fazed her. She took back her identities as top hacker, champion racer, medical professor, and renowned jewelry designer. Then someone discovered her secret. Matthew smiled. "Will you have me as your next husband?"
On her wedding day, Khloe’s sister connived with her groom, framing her for a crime she didn’t commit. She was sentenced to three years in prison, where she endured much suffering. When Khloe was finally released, her evil sister used their mother to coerce Khloe into an indecent liaison with an elderly man. As fate would have it, Khloe crossed paths with Henrik, the dashing yet ruthless mobster who sought to alter the course of her life. Despite Henrik’s cold exterior, he cherished Khloe like no other. He helped her take retribution from her tormentors and kept her from being bullied again.
Rosalynn's marriage to Brian wasn't what she envisioned it to be. Her husband, Brian, barely came home. He avoided her like a plague. Worse still, he was always in the news for dating numerous celebrities. Rosalynn persevered until she couldn't take it anymore. She upped and left after filing for a divorce. Everything changed days later. Brian took interest in a designer that worked for his company anonymously. From her profile, he could tell that she was brilliant and dazzling. He pulled the stops to find out her true identity. Little did he know that he was going to receive the greatest shocker of his life. Brian bit his finger with regret when he recalled his past actions and the woman he foolishly let go.
Julia and Evan were the perfect couple-or so she thought. But everything changed when Evan abruptly ended their relationship, leaving her heartbroken and unable to tell him she was carrying his child. Years later, Julia has built a life for herself and her son, Andy, while Evan has risen to unimaginable wealth and success. Their paths cross again at a chance meeting, but Julia soon discovers Evan has moved on with someone else. Julia is done with the pain. She's fought battles alone, raising a son who deserves the truth about his father, even if Evan doesn't deserve her forgiveness. When Julia told Evan years ago she had something to say, he didn't listen. Now, it's time for him to listen. But is it too late to reclaim what he lost? "We should break up," he'd said, the words cutting through her like glass. The pregnancy test in her pocket stayed hidden, just like the child they would never share. Now, it's Evan's turn to hear the truth-and to face his deepest regret.